For a better description, here’s what you need to know:
After her father’s murder, Franki is targeted for assassination by an unknown enemy. She finds her safety depends on the Medici Protectorate, the warriors who guarded her bloodline and their secret for centuries.
Gianni, Franki’s protector, struggles to garner her trust. As he assumes his new role, he also undergoes inexplicable, explosive changes… transformations he can’t control.
Their worlds collide in passion and violence, and Franki struggles to trust Gianni. When her life is on the line, Gianni will have to conquer both her fears and his own personal demons to rescue her in time.
If that interests you, here are a few teasers from inside the book. I hope you enjoy the writing and love the design work as much as I do. (I think my designer, Casey W. Cowan, did a phenomenal job on them.)
I hope you enjoy these. Let me know what you think.
In the time of the Renaissance, the discipline known as alchemy saw its practitioners combine philosophy, science, occultism, and theology in their pursuits to understand and improve the world[1]. Many of these men were themselves in the religious life, where others hid their studies and experiments in fear of retribution from the church.
Whether hiding or practicing in plain sight, one thing remains clear: alchemy was the stepping stone to sciences we know today.
So why did the mystical element come into play? Alchemists were searching not only to make sense of our universe, but to extend life (in some cases indefinitely) and create wealth[2]. More than science and prayer would be needed to achieve these goals, and magicians, whether well-regarded or in disfavor, had been around for centuries. Many experiments were conducted combining “magical” properties and scientific ones.
Mirrors held a special place in the worlds of occult and alchemy, because they were used for catoptromancy[3] (the use of reflective surfaces to see past, present, or future events). Some say they were first used by the witches of Thessaly, who wrote their visions on them in human blood. Others believe the Persians, specifically the Magi, first used them for divination[4].
These “mirrors” could really be any reflective surface: a bottle of water, a pool, a slab of obsidian, or an actual looking glass. Mirrors with flowers on them (or even the word “flower”) were thought to be satanic tools, as St. Cyprian said the devil sometimes appeared in the shape of a flower[5].
Catherine de Medici was said to have one of these magic mirrors, and she supposedly used it extensively to help her predict her future, and the future of France itself[6].
And this is where my story comes into play.
Lagan Press will be releasing the first of my Medici Protectorate Series in May. Bleeding Heart follows Francesca (Franki) and her sisters as they learn they are actually the only living descendants of the Medici family. Warriors from the Medici Protectorate are assigned to keep them safe. Franki has inherited a mirror—likely Catherine de Medici’s mirror—and she has a vision depicting a dangerous situation. Her personal guardian, Gianni, was there. But was he there to save her, or was he the cause of the danger? (You can read more about Bleeding Heart here and about the Medici Protectorate Series here.)
I hope you’re enjoying these snippets of research I used as I wrote my novel. I found so much of this history fascinating, and there is way too much to include in the story, so I’m sharing some of it here with you.
Do you have an interest in the history of alchemy? Do you know anything about it? Do you believe people can see things when they meditate? I’d love to discuss this. Leave a comment below.