FamilyI had planned on spending today’s post talking about contract terms. I recently signed a contract and thought it might be nice to go over some of the terminology that writers might find confusing. But earlier this week my parents-in-law were visiting, so I couldn’t write ahead of schedule, and the day I set actually set aside for blog-writing was spent visiting my niece. She stopped here on her way across the country. She just graduated from specialized training in the US Navy and has a three week leave before her next assignment begins, so she’s going home for a visit, and we were a pit stop along the way. I’m sorry, but visiting my niece/godchild takes precedent over defining contract terms, particularly when I haven’t seen her in a year and a half.

These visits got me thinking about the importance of family and its impact in my writing. The novels that I’m working on right now—the one under contract and the series I’m pitching to an agent—both have characters with strong family ties.

The contracted piece deals with two twins who have lost their parents and only have each other. Forget about the “twin bond,” these two have forged a relationship that’s thick and tight. If the adage is true that blood is thicker than water, remember—they’re the only blood each other has left.

For the series I’m working on, I relied more on my heritage. It deals with four
Italian-American sisters for whom family is everything even before tragedy strikes their lives. And when it all hits the fan, those bonds are there, not to be tested, but to bear each other up.

So it’s pretty clear to me that my own life relationships pretty clearly shape my fiction. That isn’t to say that if my sister makes me angry she’s going to end up being a shrew in my next book, or if my dad buys me a car he’s going to be written in as a handsome billionaire (hint, hint; wink, wink; nudge, nudge). But it does mean that things in my life that touch me are reflected in the things that I write.

What about the things that are important to you? What things touch you, and do they make it into your writing in some manner? Tell us about your writing in the comments.

LeprechaunYesterday was St. Patrick’s Day. I tend to relate most strongly with my Italian roots, so I don’t mention my father’s heritage often, but it seems only fair to acknowledge it on the one day a year his nationality gets top billing.

My dad is a wonderful man whose heritage is a volatile mix of Irish, Scottish, German, and Swedish. So, yes, in addition to the passionate Italian in me, I’ve got some whiskey-downing, Scotch-swilling, beer-chugging, Viking-loving blood coursing through these veins. There’s some partying blood in there, and there’s some warrior blood in there, too. So, it’s no surprise I’m not a shy person. I embrace life to its fullest, which means I love big, I cry big, and I get mad… big. Why do anything half-hearted?

irish mealI also celebrate big, which means yesterday’s holiday was a festive one, especially because my in-laws are in town to celebrate with us. (Yes, I’ll use anything as an excuse to celebrate, but come on, a holiday and family visiting? Who wouldn’t celebrate?) Beer, Irish stew, cabbage, potatoes, soda bread… even Irish coffees for dessert.

After all that, I swear I saw a leprechaun with his shillelagh in my yard, holding a four leaf clover sitting on his pot of gold. But before I got outside to greet him, he disappeared over the rainbow, and it was just me in the yard trying to keep my dogs out of the pool, which, I have to tell you, is not easy under the best of circumstances.

Now it’s time to settle back into Lenten restrictions until Easter. So, I’ll leave you with this Irish blessing as I countdown the remaining weeks:

May you always have walls for the winds,
A roof for the rain, tea beside the fire,
Laughter to cheer you, those you love near you,
And all your heart might desire.

This weekend marked the return of one of my favorite annual events… and of course I don’t mean the loss of an hour of sleep. One look at the bags under my eyes and you would know that’s not something I yearn for. Nope, Saturday was Northwest Arkansas Writers’ Annual Writers Workshop. I anticipate this event for a number of reasons:

  • It’s yet another chance to hang out with my friends.
  • I get to network with writers and other professionals in the industry.
  • Information is always presented in a fun and low key way.
  • It’s the only conference I know of that’s completely free to attend.

This year was no exception. I sat with my two partners in crime (one of whom was actually mistaken for my sister, which is hilarious because she’s a blonde with blue eyes and I’m brunette and brown) and we met some really nice people. We also heard some great information, the highlights of which I’m going to pass along to you here.

There’s a group of five women in the NWA Writers Group who call themselves The Sisterhood of the Traveling Pen. Unfortunately one of them, Claire Croxton, was sick and couldn’t attend (however we’ve been promised a blog post from her regarding getting book reviews). The other four put on an excellent presentation.

Pamela FosterPamela Foster began the day discussing sense of place. Frequent readers of my blog might recognize Pam’s ability to set a mood—she’s guest posted for me before. Her ability to construct a scene is second to none. She defines a sense of place as nothing more—and nothing less—than the world you create for your characters and all the methods through which they experience it. It is not and cannot be separate from point of view and internalization, because it is through point of view and internalization that the character shows the reader the world.

Ruth Burkett WeeksShe then introduced another “sister,” Ruth Burkett Weeks. Ruth discussed document formatting. It’s a standard assumption in the industry that if a writer is sloppy with formatting, she’ll be sloppy with writing, so she spent a few minutes covering industry standards. Then she pulled out the big guns—Ruth is all about the bling. There’s no point in writing if you’re going to be boring. She likes words that sizzle and pop. She gave us a long list of lazy words to avoid and examples of ways to avoid their usage and strengthen those passages. She ended her presentation with a word of advice about the glitz—a little will make your work shimmer; a lot will make it bruise. Avoid purple prose.

Jan MorrillThat brought Jan Morrill to the podium. You might recognize Jan from a recent guest post she did here utilizing a strategy she actually discussed at length at the conference. Jan discussed ways to get to know your characters and make them memorable. She covered interviewing them, having them describe artwork in their voice, writing a scene over from a different character’s point of view, and writing a letter from one character to another. Jan gave us examples of the strategies she used from her published book and her work in progress and then gave us time to work on our own character interview. Many people learned new things about their characters.

Linda AppleJan introduced Linda Apple, who is referred to as the Mama of the group. Linda covered reasons why writers don’t write and offered solutions to their problems. She really nailed them all, too—editing as you go, having no ideas, feeling drained, spending time on other writing activities, sabotaging yourself, managing your time ineffectively… And like a true mama, she had excellent advice for conquering all of the issues. She left us with a poignant thought: There’s only one guarantee in writing… if you don’t write anything, you’ll never be published.

If you get a chance to hear the Sisters speak, I highly recommend it. I just took a six week course they taught at the Fayetteville Public Library, and they did a phenomenal job. You won’t be disappointed.

Sisterhood of the Traveling Pen

Velda BrothertonAfter lunch, one of the founding members of NWA Writers took her turn offering some advice. Velda Brotherton talked to us about promotion efforts. Contrary to what many writers think/wish/hope, promotion doesn’t start after the contract is signed or the book is published. In fact, you may not get the contract if you haven’t started connecting with readers long before your book is even written. The first thing an agent or editor will do is Google you, and if your name doesn’t pop up, your novel won’t get picked up. Velda strongly recommended having a presence on Facebook, Google+, and Pinterest, in addition to a webpage and a blog. Her research shows that Google+ may overtake Facebook in the not too distant future, because Google+ allows you to choose who views your content where Facebook decides for you. Above all else, she stressed that a social media presence is about connecting with readers, not about hawking your books. We’re here to make friends and help people, not scare them away by being nuisances.

Dusty RichardsThe afternoon ended with the other co-founder, Dusty Richards, giving us a writing tutorial. It was twice as nice because he used many examples from his own books. He covered everything from the importance of writing short stories as well as novels to how sequels must stand on their own as well as in their place in their series. Dusty is an expert storyteller, and he engaged the audience from the first piece of advice to bidding us farewell. He already Velda and Dustyhas the room reserved for next year’s conference (March 8, 2014) and I know I’ll be attending. I hope I’ll see some of you there. Like I said, it’s a great day to hang out with your friends, network with people in the industry, and learn valuable information. Mark your calendars now so you don’t forget!

Anyone who visits my blog with any frequency (or anyone who has taken the time to read the tagline in the top right corner) knows that my ancestry is Italian, and I’m quite proud of it. I occasionally blog about it because I want people to get to know me and my heritage, I want them to love and embrace it for the wonderful and rich culture it is, and I want them to know what it’s like because that’s the world many of my characters come from in my fiction. I figure if my readers know and love my world, they’ll know and love my characters’ worlds, too.

Just last week I was contacted by someone who has now become an online friend. He shares my heritage, but he pointed out part of our culture that isn’t so wonderful, and it’s something that, while it does touch Italian-Americans more frequently than others, it can touch us all. I invited him to guest post here today to share his knowledge with you. Without further ado, I give you Craig Butler.

On May 5, the Cooley’s Anemia Foundation is holding Care Walk 2013, a series of walks designed to show support for all those living with the blood disorder thalassemia (often called Cooley’s anemia) and to raise funds for the Foundation’s programs on behalf of people with thalassemia. Thalssemia is disproportionately found in people of specific heritages, including those of Italian descent.

You’re probably asking “What is thalassemia?” It’s a genetic blood disorder, so it’s something a person is born with, not something they catch. A person who has a severe form, such as thalassemia major, has blood that doesn’t carry oxygen around to the body the way it’s supposed to. If left untreated, this causes a severe anemia and eventually brings about death.

GabriellaGabriella, the beautiful little girl whose picture you see, has thalassemia major. Fortunately, she gets treatment: she goes to the hospital every couple of weeks and spends the day getting a blood transfusion. She’ll need to do this her whole life—unless a cure is found.

The blood transfusions save Gabriella’s life, but there’s also a big downside to them. They overload her body with iron, way more than the body knows what to do with. So she has to take a daily drug treatment to help get rid of that extra iron. If she doesn’t, it can destroy her heart, liver or other organs, or cause other problems like diabetes and osteoporosis.

For many thalassemia patients, that daily drug treatment involves sticking a needle into the body and pumping iron in for 8-12 hours a day. For their entire lives.

So having thalassemia is a big burden. That’s why the Cooley’s Anemia Foundation is around:

To help these people, to help find better treatments and to help find a cure.

The annual Care Walk is one of the Foundation’s most important fund raisers. The better it does, the more the Foundation is able to do to help Gabriella and all those suffering from thalassemia.

Care Walk is designed for maximum convenience: We ask people to set up a Walk at a time and place that works for them. It can be as simple as walking around your neighborhood with a couple of friends or as involved as organizing a larger walk in a park or other area.

Our goal is to have at least one person walking for every person with thalassemia in the U.S.!

Because of the Cooley’s Anemia Foundation, Gabriella’s mother has great hope for her child. “I want to let everyone know that, even though the illness is not curable, it is treatable. I want to encourage parents that it’s not the end of the world if you have a child with thalassemia. Your child will still have a wonderful life and future if they get the proper care—and the future is getting brighter by the day.”

And the Cooley’s Anemia Foundation is here to make that brighter day get here as soon as possible. You can register for Care Walk or support someone who is walking by going to http://tinyurl.com/CareWalk2013 or you can email n.perozo@cooleysanemia.org for more information. And learn more about thalassemia and the Cooley’s Anemia Foundation at www.thalassemia.org. Thank you.

So a big thank you goes out to Craig Butler for writing this guest post and informing us about thalassemia. Maybe the steps we take on May 5 will be steps toward a brighter future for thalassemia patients.