OCW
Welcome OCW!

It’s that time of year again. I spent Thursday, Friday, and Saturday in Eureka Springs, Arkansas at the Ozark Creative Writers Conference. For forty-six years, they’ve been bringing in experts in the industry, and this year was no exception.

Disty Richards
Dusty Richards

Thursday evening began with prolific western writer Dusty Richards holding an informal meet-and-greet. Many attendants gathered for two hours, introducing themselves and talking about their writing journeys. Later was open-mic night, where writers snacked on hors d’oeuvers and had the opportunity to read a few pages of their work to a captive and encouraging audience: their peers.

Beth Bartlett
Beth Bartlett

Friday was a full day. After opening remarks by Beth Bartlett, this year’s OCW president, writers had the opportunity to attend one of two sessions. Writer and editor Margo Dill covered the children’s market while blogger and publisher Dan Case of AWOC Publishing discussed blogging.

Dan Case
Dan Case

I attended the blogging session, and plenty of great information was addressed. Mr. Case covered the five elements of good blog posts (headlines, hooks, word count, photos, and conclusions) and emphasized that above all else, content is key. He offered examples, answered questions, and proffered advice for the blogging writer, novice to expert. He also suggested some resources for blogging and obtaining stock photos.

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Pat Carr
Pat Carr

After the break, author and teacher Pat Carr covered writing love scenes. (Not sex scenes. Love scenes.) She discussed the twelve steps of intimacy and the importance of them occurring in order, followed by the five scenes that must be present in a novel or short story. When these scenes (meeting, conflict, admiration, affection, and climatic resolution) are written with proper pace, flow, and order, the story will be a success. She also offered ten scene descriptors that will enrich the setting, and therefore the story itself. The session concluded with a writing exercise, and some writers were brave enough to share their efforts. Their results, using techniques learned in session, were amazing, and covered romantic love, love between family members, and even love of special pets.

Dianna Graveman
Dianna Graveman

After lunch, there were again two sessions to choose from. Travel and western writer Johnny D. Boggs hosted a talk while marketing specialist Dianna Graveman of 2 Rivers Communications talked about public speaking and social media. I attended Ms. Graveman’s session and learned so much. She stressed that writers are business people and need to approach their careers that way. Providing value and being sought after is far more effective than the hard sell. She offered several options where writers could seek out public speaking engagements, from historical societies to continuing education programs. She also addressed several social media opportunities to garner speaking engagements, and offered invaluable tips on how to promote speaking events (reminding us that promotion should occur before, during, and after the engagement for full exposure).

Susan Swartwout
Susan Swartwout

After a quick break, Susan Swartwout, publisher at Southeast Missouri State University Press, gave a presentation on queries and rejections. She discussed the twelve items agents and editors look for in a query letter (everything from the hook to the marketing plan) and then moved on to the reasons for rejections. She offered twenty-one reasons why writers might be turned down, some being the writer’s responsibility (bad writing or not following guidelines) and some boiling down to fate (publisher maxed out on that topic or the printing schedule is booked). Dr. Swartwout’s talk was peppered with examples and she offered great advice.

The day ended with a presentation by Peggy Vining. Ms. Vining has been attending the OCW Conference since it began, and in 2003 was appointed Arkansas Poet Laureate by then Governor Mike Huckabee. Ms. Vining shared her love of poetry with the writers in her session. She believes it’s important to spread the love of words and form throughout the community.

Later that evening, Dusty Richards assumed a role he’s well known for. He served as the auctioneer at the first ever OCW Auction, where a good time was had by all.

Jim Donovan
Jim Donovan

Saturday began with keynote speaker, literary agent Jim Donovan, discussing a writer’s path to publication. He said a crucial question writers should be asking (but almost never do) is: How do I become a better writer? And he proceeded to answer that question with some great advice. Mr. Donovan gave six important steps which will help writers improve their craft:

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  1. Read as a reader, to absorb what works in that genre.
  2. Read as a writer, and focus on specific elements (character, dialogue, pace, action, plot, setting).
  3. Read writing books to learn rules and technique.
  4. Write regularly.
  5. Join a good critique group.
  6. Revise, revise, revise.

He then discussed query letters and what agents and editors want in a manuscript. He ended his talk with a Q&A session.

Pat Carr
Pat Carr

After a break, writers were again given the option of two sessions. Writer and self-publishing guru Velda Brotherton held a workshop on preparing a document for Kindle while Pat Carr covered short story writing. As I am lucky enough to regularly benefit from Ms. Brotherton’s expertise (I’m a member of Northwest Arkansas Writers, a critique group run by Ms. Brotherton and Mr. Richards), I made the difficult decision and attended the short story session. Again Ms. Carr offered great advice. She said it is paramount to make a reader care about the characters, and gave five ways to make sure that readers care. Writers must show that the character:

  • cares about others.
  • is capable of love.
  • is in jeopardy or danger.
  • is doomed (but cannot whine about his fate).
  • is vulnerable in some way.

She talked about the use of actions, emotions, dialogue, and scene descriptors, then ended with a writing exercise: write one scene resulting in an epiphany, portraying a strong emotion. It was a great exercise, and she seemed pleased with the results.

Kevin Brockmeier
Kevin Brockmeier

After lunch, keynote speaker and noted author Kevin Brockmeier shared three excerpts of his acclaimed works (there’s nothing like hearing an author read his own work, when you know the inflections and emotions are as the writer intended), then he answered questions. He talked about his writing process, discussed his characters and the messages he explores in his work, and offered a list of books and authors he loves to read.

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editors panel 2
Margo Dill, Jim Donovan, Lonnie Whitaker, Susan Swartwout

There was a quick break, and then I had to make a difficult choice again. Ms. Graveman gave a talk on freelance editing, which I desperately wanted to attend, but opposite her was the editors’ panel. I couldn’t walk away from a chance to pick the brains of not one, but seven, experts in the field.

editors panel 1
Lou Turner, Dan Case, Delois McGrew

The panel consisted of publishers Lou Turner, Susan Swartwout, and Dan Case; editors Delois McGrew, Margo Dill, and Lonnie Whitaker; and agent Jim Donovan. Questions covered several topics, from contract language to editing rates. All too soon the session was over. I’m sure we could have peppered them for information all day.

The conference “proper” ended with a toot-your-own-horn segment, where people could talk about their achievements. It seems every year people have more to celebrate, so we must all be improving. That’s just proof that the conference was again a success.

That evening was the concluding dinner and awards banquet. I’ll be posting my awards soon on my Awards link, or you can check out all the winners on the OCW site. So many talented writers were acknowledged that evening, and we had a lot of fun. This year, I met up with old friends, made new friends, and learned a lot. I can’t wait until next year when I can do it all again! Hope to see some of you there.

I spent the weekend in Eureka Springs, Arkansas learning about writing, publishing, and platforming at a fabulous writers conference put on by Ozark Creative Writers. This was their forty-fifth annual conference, and while it was my first time in attendance, I can’t imagine they’d ever put on a better one.

Dusty RichardsThursday evening began with President Dusty Richards hosting an informal discussion group welcoming everyone and discussing different writers’ journeys from novice to published author. Later, a reception was held and writers had the opportunity to read a few pages of their work to their peers.

Cherry WeinerFriday was a full day. After opening remarks, keynote speaker Cherry Weiner addressed the group. Ms. Weiner lives in New Jersey and is an agent who works closely with the Big Six publishing houses in New York. Rather than giving a prepared speech, she immediately opened the floor for questions, and boy did we have them. We learned about query structures (everyone has a format, but a general rule to follow is one page, four paragraphs: first is the genre, word count, and if it’s a single title or series; second is the storyline; third is any publishing credits; fourth is a thank you, followed by a request for instructions on how to submit if interested). We learned that the Big Six will only give an author six weeks on the shelves, and if the book doesn’t sell it gets pulled. That means an author must market. We learned that these days, series are preferable to single titles because it means that the author will have more books coming along. We learned that formal prose is likely too stiff, but that doesn’t excuse poor grammar and excessive colloquialisms. Manuscripts still need to be polished when they are submitted, because editors aren’t going to “edit” anymore. In short, we learned a lot.

Susan SwartwoutAfter the break, Susan Swartwout from Southeast Missouri University Press talked about hooks in first lines and first pages. In addition to all writing needing to be tight and full of action, there are certain rules that will improve first page hooks.

  • Avoid starting with dialogue. There’s too much mystery when readers don’t know the characters. They don’t know who’s speaking.
  • Avoid straight description for too long. It will bore the readers.
  • Start with an action or a compelling statement and then fulfill the promise. If you start with something exciting or an interesting statement but the action isn’t resolved or the statement isn’t explained, you’ll lose the reader’s attention.
  • Think short and simple. Don’t begin with word play puzzles. The reader isn’t vested yet, so he or she won’t care enough to try to figure it out.
  • Don’t try to write the hook first thing. Just write; then edit and make a great hook.

Johnny BoggsAfter lunch, Johnny Boggs spoke about the YA market. Mr. Boggs has successfully written for adults and teens, and he offered tips for writing for a younger audience.

  • Girls will read about either gender, boys are really only interested in male protagonists.
  • A great hook is essential.
  • Language needs to be about two years older than the protagonist.
  • Kids are more sophisticated than we were; be age appropriate.
  • The missing parent is a typical plot device; it lets the kids be the heroes. They need to face life alone in some way.
  • Nothing is off limits anymore. Death, abuse, drugs, sex, violence, profanity… if it’s handled in an age-appropriate way, it can be written about.

Daniela Rapp and Cherry WeinerAfter a quick break, Ms. Weiner returned with New York editor Daniela Rapp to do a “single page book buy.” Authors submitted one page of their WIPs and the agent and editor listened to them and offered comments, sometimes even saying they’d like to talk to the writer further after the session. This was by far the most helpful session, as we all got to see and hear firsthand what agents and editors look for in manuscripts, and what they reject.

Dianna GravemanWe ended the day with the choice of attending a session by Poet Laureate Peggy Vinning or CEO of 2 Rivers Communications Dianna Graveman. I attended the session with Ms. Graveman to learn more about platform building. As expected from a social marketing guru, she spoke fast and covered a lot. While she did mention the usual Twitter and Facebook topics that social media experts have to cover, she also delved into blog tours, speaking gigs, Goodreads, eventbrite and speakerfile. I had explored the first three briefly on my own, but I had never even heard of eventbrite and speakerfile. The customization options of the two were quite impressive and worth exploring.

Daniela RappSaturday began with Ms. Rapp discussing what kinds of things she looks for when deciding what to publish. She says it’s more than just a quality judgment, books should come to her polished and ready and must meet three criteria: They must tell a story. She must love at least one character. They must be different in some way from every other story. If they pass those tests, the author should keep these seven points in mind:

  1. Research the industry – Know what’s going on and what’s changing.
  2. Research the market – Know the genre.
  3. Don’t be motivated by money or fame – Most authors don’t ever make a living writing.
  4. Marketing isn’t a necessary evil; it’s the way books are sold today – You have to do it today if you want to sell books tomorrow.
  5. Getting published takes time – Contract to shelf can take two years. Be patient.
  6. Writing is a career, not a one-off – Know what other projects you have coming up and be working on them so you have something else to pitch.
  7. Be an expert in your area – Research you genre, the authors in your genre, the time period in which your books are set…

Susan SwartwoutAfter a break, Susan Swartwout discussed contracts. She recommended getting an agent, because an agent’s job is to get a writer the best deal possible, and an agent will understand the contract better than even a lawyer, and certainly better than the writer. Even so, she brought along a sample contract and pointed out some key areas of note. One thing that isn’t usually in contracts is cover control. Try to get some say over the cover design (at least veto rights), as that can make or break a novel. Also check that the copyright is in your name, not the publisher’s. And lastly, confirm who has international rights and film rights. Those are things agents can negotiate for you.

Lou Turner, Dusty Richards, Beth Bartlett, Johnny BoggsAfter lunch, Dianna Graveman hosted a session on selling an author’s work. Running concurrently was a session by the Board. Lou Turner, Dusty Richards, Beth Bartlett and Johnny Boggs took questions from the audience and discussed their careers. We got some valuable information about how to query a small press (and how not to nag them afterward), how to write dialogue and internalization using different voices and how to tag (also how not to tag), and how joining online organizations and being a good “netizen” can help drive up book sales. Listening to four such accomplished professionals was an honor.

Daniela Rapp and Cherry WeinerThe next session was by Ms. Weiner and Ms. Rapp. They put on a little skit showing how a manuscript goes from agent to editor to publication. This section was full of valuable information regarding timeframes, agent and editor roles, and publishing house functions. I now understand why it can take two years for a book to hit the shelves. I still don’t like it, but I get it. The manuscript goes through so many hands and so many revisions, plus cover design, marketing and sales… Not to mention, it’s not the only one they’re working on. It’s daunting. No wonder the publishers want our patience and our help promoting. We are our number one cheerleaders.

The conference “proper” ended with a toot-your-own-horn segment, where people could talk about their successes. There are a lot of successful people there. I hope to join the ranks soon.

I missed the awards banquet; I had to get back to town. A friend emailed me that I took second place in one of the writing contests and I won the Cherry Weiner raffle (for her to look at and critique some of my work), but I won’t believe any of it until I actually see it for myself. I mean, my first conference and to take second place in a contest and win a raffle! That’s too good to be true. Plus I picked up an anthology while I was there that I was published in, and I have a blurb on the back cover (Bigfoot Confidential – High Hill Press). If that’s not a great first conference, I don’t know what is. I can’t wait until next year’s! Hope to see some of you there.