This is the time of year when I get cravings for weird things. It might be because it’s Lent and I give up a lot of indulgent foods, or it might be because of the time of year it is. For example, St. Patrick’s Day is coming up, and that means Shamrock Shakes. Usually those coincided with Lent, so unless they were released before Lent started (like this year), we’d need to not have given up sweets for Lent or freeze them until after Easter. When I moved to Arkansas, I was horrified to learn that they had never heard of Shamrock Shakes. Last year, McDonald’s had a new release here… Shamrock Shakes! However, they were “test marketing” them in limited quantities, so they were virtually impossible to come by. Finally, this year, the stars aligned. McDonald’s released Shamrock Shakes in mass quantities before Lent in Arkansas. One craving averted.

sausageThere are some cravings, though, that I’ll never get to satisfy again. Right after Christmas when I was young, my whole family would gather in my grandparents’ basement to make sausage and sopresatta. It was hard work—it took the whole day—and took a lot of preparation before that, but boy was it worth it. (Squeamish readers may want to skip ahead.)

Sheep intestine had to be soaked in ice water and citrus for days to be cleaned and deodorized. Pork shoulder had to be ground, and we didn’t have a motorized crank; it was all done by hand. Pounds and pounds were fed through the feed tube, and once coarsely ground, became the basis for the sausage and sopresatta mixtures. Seasonings were stirred into the meat by hand, requiring the men to dig into big bowls up to their elbows. Peppers were added to the sopresatta mix. Finally the mixtures were pushed back into the extruder and into the intestine casing.

The sausage was hung in my grandparents’ fruit cellar—the coldest place in the house, or cooked right away for us to eat with homemade bread and, if we were lucky, a sip of wine. The sopresatta had to be pressed until it cured completely. It took six to eight weeks to dry out. This is the time of year we’d be eating the homemade salami, and at this time every year, I get a craving for it. The stuff you buy in the stores just isn’t the same, and frankly, living in Arkansas, any kind of Italian food is hard to come by, let alone the stuff prepared the way we’re used to.

The hardest part for me, though, is saying goodbye to the memories. I was too young to actually be a part of the sausage-making process, but I remember sitting on the stool in the basement, watching my grandparents, my parents, my aunt, uncle and cousins work. I remember playing with my young cousins while the adults toiled. My grandmother only had a two-bedroom home, so the house was tiny, and filling it with that many people trying to accomplish a difficult task with a bunch of kids underfoot should have brought conflict and strife, but it didn’t. There was laughter and love and fun. Sometimes there was music, but more often than not when the music ended, people were so busy goofing around that they forgot to turn it back on. At the end of the day, the sausage and sopresatta was made for the year, but the memories were made for a lifetime.

My grandfather is gone now. My parents and aunt and uncle no longer make the sausage—it’s too much work for them. My siblings and my cousins didn’t carry the tradition on. We’ve all drifted apart—me farthest of all, nearly one thousand miles—and simply didn’t manage to keep the tradition alive. Even if we managed to start it up again, it just wouldn’t be the same without my grandfather managing the process. My husband and I tried to make some sausage a few years ago, but it just wasn’t right. Times change and traditions fall by the wayside.

So this year, I finally got my Shamrock Shake, but I won’t be having any sopresatta. At least, not any of my grandfather’s homemade sopresatta. Some traditions just can’t be replicated. We should try to enjoy what time we have with our families while we have them. You never know when those times will be nothing but treasured memories.

My grandfather worked hard his whole life. It was the Italian way. Loyalty to employers was only superseded by loyalty to God and loyalty to family, so it was no surprise to anyone that he labored, what seemed like tirelessly, and was a successful man. Long before I met him, when my mother was still in high school, he was asked to go to Japan to help teach factory owners how American production worked. He met wonderful friends there and came home with fascinating stories about the Japanese culture, an interest he passed on to me long before he died.

My grandfather may have sparked my interest in Japanese culture, but I know a writer who will ignite that passion in all of us. Jan Morrill, author of The Red Kimono, has woven her characters an exquisite tapestry of bigotry and betrayal, treachery and tradition, friendship and forgiveness, conflict and compassion. In addition to being a wonderful writer, Jan is an accomplished artist and has been very helpful to me in my writing efforts. I was thrilled when I asked her to guest post about her book’s upcoming release and she agreed. Here is what she had to say:

red kimonoLast night, I lay in bed thinking about what I’d like to say in this, perhaps my last guest post before The Red Kimono is released. I began to liken the waiting process to awaiting the birth of my children. (By the way, the latest “due” date for The Red Kimono is February 20, University of Arkansas Press.)

Many writers think of our works as our “babies.” When we read out loud, we might as well be offering our toddlers—exposed and vulnerable—for sacrifice to the heartless critique gods. And when they tell us what’s wrong, we begrudgingly edit parts we love, as if cutting off the limbs of our child. Some even refer to it as “killing our babies.”

There are many similarities in waiting for the arrival of my book, too. Changes in due date. Wondering what will it will look like and how it will feel to hold it in my hands. Will it be “healthy ” and will it achieve all that I’ve dreamed it will achieve? Yes, awaiting the release date feels all too familiar to the anticipatory pangs of childbirth.

I recently finished co-presenting a writing workshop with the Sisterhood of the Traveling Pen, where I talked about ways for writers to deepen their characters by getting to know them better. One of method was to interview the character. Another was to write a letter to the character.

The Red Kimono is my first novel. In the last days before the birth of my first child, I wrote my child-to-be a letter and told her about what I was feeling, my hopes, my fears. And so, as I pace the floor, waiting for February 20 (hoping for an early rather than late delivery,) I thought I’d write a letter to my main character, Sachiko Kimura.

Sachi is a nine-year old Japanese American girl who, in the opening of the book, is trying to find her place within two very different cultures. However, feeling out of place becomes the least of her worries when Pearl Harbor is bombed and the world as she knows it comes to an end with the loss of her father and the relocation of her family to an internment camp in Arkansas.

Dear Sachi,

Finally, after more than five years of gestation, your birth date is only days away. What am I thinking about in these last days before your arrival?

Before my children were born, I called them “sparkles in my eye.” You, too, began as a sparkle in my eye. Since my earliest recollection, I dreamed of one day writing a novel, though I often wondered what I would write about. Then, as I began to hear stories about my mother’s internment I thought about how it must have impacted the person she became. Stories began to form in my head, and the seed that became your story was planted.

But there were times that weeds of self-doubt choked how our garden grew. Negative thoughts filled my mind, leaving little room for the creativity I needed to move your story forward:

  • You may be able to write short stories, but you’ll never write a novel.
  • There are thousands and thousands of new novels being written every day. Why would anyone be interested in this story?
  • You’ve got too many other things to do to be wasting your time on a pipe dream.
  • This is taking your forever. Give it up.

But you, Nobu and Terrence persisted. Word by word. Page by page. Chapter by chapter. Until finally, the story was complete.

Now, as the due date approaches, I find myself wondering the same things about The Red Kimono that I wondered about my children.

  • What does the future hold?
  • What will be your place in this world?
  • Will I find the proper balance of protecting you and giving you wings?
  • Is there room in my heart for another “child?”

Sometimes I think writing The Red Kimono took so long because I couldn’t let go of all of you. I remember feeling a mix of joy and sadness at typing “THE END.”

But, then I realized I will never really let go. Because like my children, I am a part of you and you are a part of me. And this is how it will always be.

Happy “birth” day,

Jan Morrill

Jan MorrillJan Morrill was born and (mostly) raised in California. Her mother, a Buddhist Japanese American, was an internee during World War II. Her father, a Southern Baptist redhead of Irish descent, retired from the Air Force. Many of her stories reflect memories of growing up in a multicultural, multi-religious, multi-political environment as does her debut novel, THE RED KIMONO, which will be published by the University of Arkansas Press in February 2013.

An artist as well as a writer, she is currently working on the sequel to The Red Kimono.

Jan’s award-winning short stories and memoir essays have been published in the Chicken Soup for the Soul series of books and several anthologies. Recently, she was nominated for the Pushcart Prize for her short story “Xs and Os,” which appeared in the Voices Anthology.

Visit Jan at:

Website:                                                                                                                        www.janmorrill.com

Blogs:                                                                                                           www.janmorrill.wordpress.com                                                                            www.theredkimono.com                                                                                      www.haikubyhaiku.com

Facebook:                                                                  https://www.facebook.com/JanMorrill.Author?ref=hl

Twitter:                                                                                                    https://twitter.com/janmorrill

The Red Kimono Book Trailer:                                                        http://www.youtube.com/watch?v=Etvg8feWCiw

 

romanceValentine’s Day is this week. I’m not going to bore you or aggravate you with a debate over whether it’s a religious holiday (honoring St. Valentine the martyr who died on February 14, 270 AD) or if it’s just another silly Hallmark holiday that’s the bane of every man’s existence who’s in a committed relationship. I am, however, going to take this opportunity to plead with you non-romance writers out there to consider spicing up your writing a bit by taking a page out of my book. (Not literally, of course. That would be plagiarism, and that would be wrong.) We romance writers have been mixing our genres with others quite successfully for some time now; in honor of Valentine’s Day, I think it’s your turn. As a romance writer, I’m recommending you other genre-writers throw some love interests into your works. Spice things up a bit. Challenge yourselves. Here’s a look at some other genres with successful romances added to their plots.

1) Action/AdventurePirates of the Caribbean was as much a love story about Will Turner and Elizabeth Swann as it was an adventure about Captain Jack Sparrow. And after three films, when Will’s fate was determined, what happened? The fourth film introduced a love interest for Jack. Obviously there’s merit to introducing romance in the plot of action and adventure films.

2) Comedy—There’s a reason the term “Rom-Com” is now so common. From films as chaste as Doc Hollywood to ones as risqué as American Pie, comedic films have long since learned the value of throwing together couples for a few laughs. If laughter is the best medicine, adding some romance to the mix could only make things better, right?

3) Fantasy—So many fairy tales begin with “Once upon a time…” and end with “…and they lived happily ever after.” Did you ever think about who the “they” was? The prince and princess, of course. There’s romance in so many of the fairy tales we grew up with. Sure, we could probably move on from the damsel-in-distress routine, but the true-love’s-kiss bit, that works for me every time.

4) Horror—Every horror movie I watch has a couple sneak off for some quality one-on-one time right before they get hacked to pieces. I’m the one talking to the screen telling them not to go, but they never listen. At least they have each other before they die. To be fair, some horror films also have one couple make it through to the end, because they love each other and take care of each other. That’s real romance, people.

5) Mystery—Think about some of your favorite all-time crime-solving duos of television. I’ll tell you who some of mine are: Jonathan and Jennifer Hart from Hart to Hart, Laura Holt and Remington Steele from Remington Steele, Kate Beckett and Richard Castle from Castle, and Temperance Brennan and Seeley Booth from Bones. What do they all have in common? They were or are romantically involved crime-solving partners. Sure, solving mysteries on television (or in books) is fun; it’s always nice to know if you can solve the crime before the answer is revealed. But what’s more fun is if there’s some romantic friction thrown in the mix. It amps up the drama and makes the challenge more interesting.

6) Sci-fi—If this is your genre, you’re either a Star Wars fan, a Star Trek fan, or both. And having watched all six Star Wars films and episodes from TOS and TNG, I can honestly say that they are full of romance. Star Wars hinted at a love triangle until Han realized Leia was Luke’s sister. Furthermore, even given the tug on his ego, he may not have returned to help them had it not been for his attraction to her. And the story simply wouldn’t have been as strong without their love. And in Star Trek, come on, I mean, really, did Captain Kirk ever meet a female alien that he didn’t like? These are the quintessential sci-fi flagship franchises, and if romance was good enough for them…

7) Western—Many westerns go hand-in-hand with a man defending the life and honor of a woman, so this probably isn’t a stretch for a lot of you western writers. For those of you picturing nothing but saloons and gunfights at high noon, let me point you to Dances with Wolves, an epic love story set in the west during the Civil War.

So that’s my spiel for this Valentine’s Day. Regardless of where your passions lie, I’m certain there’s room to work in a little romance. Challenge yourself a little; you might be surprised at where your characters take you. They might even thank you for it.

Happy Valentine’s Day!

Create Your Writer PlatformLast Monday I wrote a post regarding the importance of writers, particularly aspiring writers, building a strong media presence. I thought this week would be a good time to review Chuck Sambuchino’s new book, Create Your Writer Platform: The Key to Building an Audience, Selling More Books, and Finding Success as an Author. An overview of this book is the perfect complement to last week’s post, as its content covers this very concept in great detail.

Create Your Writer Platform is broken down into three helpful sections. The first section of the book deals with what exactly a platform is and why writers need one. He covers twelve core principles of successful platforms and points out the importance of finding and honing your niche. He ends that section by devoting a special segment to fiction and memoir writers, and explaining the whys and hows of platforming for their particular genres.

The second section of Sambuchino’s book contains vital information regarding the mechanics of platforms. He introduces the many different options available to writers, and then delves into each in greater detail. Topics covered include websites, blogs, newsletters, articles and columns, public speaking, social media (Twitter, Facebook and more), and what he calls four side doors to platform (four shorter paths that may help you circumvent the traditional routes, but are risky and aren’t necessarily any easier).

The third section of Create Your Writer Platform offers twelve case studies from authors in various genres who have built successful platforms. Sambuchino shows the different and successful paths these authors have taken in building their platforms from the ground up. There are lengthy interviews with probing questions and informative tips from non-fiction, fiction, memoir, and inspirational writers.

In addition to the wealth of technical information Sambuchino provides throughout the book, he went one step further. Sprinkled throughout the text are quotes from various experts in the publishing industry—opinions which are extremely valuable regarding author platforms. This book offers the perfect combination of author knowledge and expert contribution.

In short, I highly recommend Chuck Sambuchino’s Create Your Writer Platform: The Key to Building an Audience, Selling More Books, and Finding Success as an Author to any writers with questions regarding platforming, branding, or social media presence. This book is a must-have reference for an author’s bookshelf.