Originally posted May 1, 2012
My sister got published! Congratulations to Michele on her memoire essay “Letter to Krista” which was published in the Spring 2012 Issue of Pastiche.
Originally posted May 1, 2012
My sister got published! Congratulations to Michele on her memoire essay “Letter to Krista” which was published in the Spring 2012 Issue of Pastiche.
Originally posted April 23, 2012
I’ve put my novel on hold to begin work on a mystery. I’m calling it Daddy Issues, but we all know that’s subject to change. I answered a call for writers to write mysteries for a publisher starting a sleuthing series. It’s been an interesting project so far. It’s difficult to write under someone else’s constraints, but I’m rising to the challenge. It’s helping me flex my writing muscles. I highly recommend breaking out of the norms and trying something new once in a while. Not only is it liberating, it helps us reach parts of our minds and hearts that we haven’t tapped in a while. It makes us better writers, and maybe better people. And it’s fun!
Originally posted March 28, 2012
Soapbox, here I am. I’m sorry, but people in Hollywood are paid far too much to write scripts (and actors to deliver the lines) in which the object of the sentence is made “I” just because it sounds fancy and proper. I might just be a small town girl from Vandergrift, PA, but I know the difference between “Sally and I” and “Sally and me” in a sentence. One is the subject, one is the object. If the writers don’t know which is which, they shouldn’t be the writers. The subject, or the actor, is always “I” and the object, or what is being acted upon, is always “me.” An easy trick to figure it out – drop the “Sally and” and listen to which sounds right. Then you’ll know. The rule definitely isn’t fancy=I and casual=me. And now I can get off my soapbox. I don’t like the view from up there, anyway.
Originally posted March 27, 2012
I start a new class tonight. It’s a six week workshop on short stories. We’ll be reading and analyzing existing works, doing in-class exercises, and working on a story of our own. Usually you hear about continuing education with respect to teachers, but I believe we can all benefit from it. I have a master’s degree in writing, but I’m taking this course. I haven’t been in school in nearly twenty years. I’m sure this instructor has a newer take on the topic than my professors did. And even if she doesn’t, it certainly won’t hurt for me to brush up on my skills. I’m excited to be in a learning environment as a student again. When I was a professor, I always told my students I learned from them, and I did, but this time I’ll be on the student side, and that’s a whole different perspective. Should be fun!
Originally posted March 21, 2012
It’s Spring Break. My kids are off school for the week and Corey’s parents have driven down from Pennsylvania to visit. I barely have time for posts, let alone writing. But that’s okay. It’s great visiting. We haven’t seen any family since Thanksgiving, and everyone’s having a blast.
But I’m not letting the time go to waste creatively. Not only are families a treasure trove of inspiration, I’m letting ideas percolate while I’m not writing. There have been some plot points that I’ve been stuck on that I’ve been letting simmer in the background. Hopefully I’m “unstuck” once I start writing again. I think I have the kinks worked out. It’s been refreshing not staring at the screen and wondering how to fix the problem. Without the pressure, the problems seem to have fixed themselves.
And I had a nice visit in the process.
Originally posted March 14, 2012
God bless the computer. Without it I would have had to wait until my critique group meets again to have help with my elevator pitch, and boy did I need help with that. As it was, I just fired off an email, and got an answer back just as fast. Jan, my “editor”, cut my 114 words down to 55. And I didn’t have to wait for my group meeting.
Why am I working on a pitch now when I don’t have a finished manuscript? Because I want to be ready when anyone asks what my book is about, especially if that anyone is an agent or editor. It’s best to have a clear, coherent pitch ready to go.
I have a good pitch, and a decent first draft. Now all I need is an elevator… and a finished manuscript
Originally posted March 12, 2012
I spent a little bit of today editing and sending a synopsis and three chapters off to an editor (and doing some laundry… boy was that overdue!), but then I spent the rest of the day building my platform. For those of you who don’t know what that means, it means creating a favorable Web presence so editors and agents believe that you can market your material once/if they publish your book.
Today’s efforts – creating a Website. I already had one for my professional writing. Now I have one for my creative writing. For a first draft, it isn’t too bad. I have to go back and do A LOT of polishing, but I’m happy with today’s work. Let me encourage all of you to find a Web hosting service that you are comfortable with, probably one that has templates already built in for you (I haven’t used HTML since 2000, I never did figure out Java Script,and I don’t even know what the latest trends are), and spend a day playing with your pages.
I don’t have anything to market – YET – but when I do, I’ll be ready. Can you say the same?
Originally posted March 10, 2012
I attended the NWA Writers Conference today, and I wish you all could have been with me. It had excellent presenters and valuable information for any published or hoping to be published authors. I feel inspired to work on my platform and my manuscripts. Which is why I’m here blogging right now instead of doing the thousand other things that always take me away from blogging. Check out nwawriters.org. Many of the members have useful links that you might like.
Originally posted August 24, 2011
I have a routine. I put on music (classical music – channel 866 or classic rock channel 862 on DirecTV) when I’m writing (depending on my mood) or my own personal playlist (the Rocky soundtrack if I’m writing an action sequence or some of my favorite love songs if I’m doing a love scene) and sit down at my laptop. I make sure I have something to drink – water, coffee, or tea – and I make sure the dog has gone out and has toys and snacks at his disposal so I won’t be interrupted.
Then I write.
Routine is important. I need background music for flow. I don’t listen to it, but I hear it, and it keeps me going. I need something to drink nearby because writing hard is exhausting, and it makes me as thirsty as a hard workout does. If I’ve got something to quench my thirst right near my hand, I don’t have to get up, and therefore, I don’t have to break my rhythm. If the dog is placated, I won’t be interrupted, and I can just type.
The familiarity gets me in a groove easier than if I try to write somewhere new everyday. It gets me back in my story faster. And the sooner I’m in the story, the sooner the story is on the page.
Yes, there are benefits to a change in scenery or an interruption or two. If I have writer’s block, changing the music or sitting with my laptop in a cafe or at a park can work wonders. If the plot or characters start wandering in an odd or stagnant direction, a change in my routine can result in a change in my writing – a change for the better. But if things are going well, why mess with the formula?
My recommendation? Find what works for you and stick with it.
Originally posted August 5, 2011
Last night at writers group was eventful. It started with Dusty, one of our group leaders, giving us a quote to ponder. He said it was the best advice he ever heard, and it was written by a man Dusty says is a fiction genius: the late Dwight Swain.
“A story is not about anything. It concerns someone’s emotions to what happened, his feelings, his emotions, his impulses, his ambitions, his clashing drive, and inner conflicts.”
Dusty explained that if we don’t try to market our book as a story about a person or people, then all the editor will see is ink on a page. And I have to agree. Even plot driven fiction is about people. We don’t really care about the story unless we care about the people in the story.
It’s something to keep in mind when writing, editing, and drafting those darn query letters.