Create Your Writer PlatformLast Monday I wrote a post regarding the importance of writers, particularly aspiring writers, building a strong media presence. I thought this week would be a good time to review Chuck Sambuchino’s new book, Create Your Writer Platform: The Key to Building an Audience, Selling More Books, and Finding Success as an Author. An overview of this book is the perfect complement to last week’s post, as its content covers this very concept in great detail.

Create Your Writer Platform is broken down into three helpful sections. The first section of the book deals with what exactly a platform is and why writers need one. He covers twelve core principles of successful platforms and points out the importance of finding and honing your niche. He ends that section by devoting a special segment to fiction and memoir writers, and explaining the whys and hows of platforming for their particular genres.

The second section of Sambuchino’s book contains vital information regarding the mechanics of platforms. He introduces the many different options available to writers, and then delves into each in greater detail. Topics covered include websites, blogs, newsletters, articles and columns, public speaking, social media (Twitter, Facebook and more), and what he calls four side doors to platform (four shorter paths that may help you circumvent the traditional routes, but are risky and aren’t necessarily any easier).

The third section of Create Your Writer Platform offers twelve case studies from authors in various genres who have built successful platforms. Sambuchino shows the different and successful paths these authors have taken in building their platforms from the ground up. There are lengthy interviews with probing questions and informative tips from non-fiction, fiction, memoir, and inspirational writers.

In addition to the wealth of technical information Sambuchino provides throughout the book, he went one step further. Sprinkled throughout the text are quotes from various experts in the publishing industry—opinions which are extremely valuable regarding author platforms. This book offers the perfect combination of author knowledge and expert contribution.

In short, I highly recommend Chuck Sambuchino’s Create Your Writer Platform: The Key to Building an Audience, Selling More Books, and Finding Success as an Author to any writers with questions regarding platforming, branding, or social media presence. This book is a must-have reference for an author’s bookshelf.

I follow a lot of writers’ blogs looking for advice and inspiration. I correspond with quite a few of them, too. I’ve found that there are some writers out there who are genuinely interested in helping others improve their craft. Jeff Goins is one of them. Most recently I responded to a post by Jeff on his blog (http://tribewriters.com) about what platforms are and how to build them. I’ll give you an excerpt from my email to him:

cornfield photo by Peter Griffin
If I build it, will they come?

“I’m tribe-less, Jeff. I’ve created my platform, but I think James Earl Jones was wrong. You can build it, but that doesn’t mean they’ll come.”

Jeff didn’t pull any punches. Here’s an excerpt from his reply:

“You’re right. You need more than a cornfield in Iowa.”

Jeff claims that none of us is tribe-less. It’s simply a matter of finding our tribe and then having the courage to lead them. That’s a two-fold process, isn’t it?

I’m working on finding my tribe. That’s what I’m building here. Nick Thacker (http://livehacked.com) calls this my home base. That’s a good analogy. I’d like people to be comfortable here, touch base and branch off to other tabs then come back again to this one. But honestly, I don’t care what the terminology is. Call my viewers a tribe, call my page a home base. Call me an alien and my blog my home planet. It doesn’t much matter to me as long as certain core principles are met. Are we connecting? Are we exchanging ideas? Are you learning from me? I used to be an English professor; I think I have some wisdom to impart. I just need to reach people (or my tribe) and connect with them.

The second thing I need to do is lead. I can do that. I did that when I taught, I can do it again. But it was so much easier then. I had the benefit of eye contact with which to build a rapport with my students. And, frankly, I started in a position of authority. The college told the students I was the subject matter expert, and in that room, I was. On the Internet, I’m competing with millions if not billions of other people for attention. Why would anyone listen to my voice?

Because no one sounds quite like me.

I can’t promise you that I have all the answers. I can’t promise I even know all the questions. I’ve learned a lot. I learn more every day, and I’m happy to share it with all of you. It’s going to be fun working on all of this together. Your challenge today: update your home base. Reach out to your tribe. You’re already on the Internet. Go on… talk to them. They’re waiting for you.

Maybe James Earl Jones wasn’t wrong, after all.

photo credit: Peter Griffin

<a href=”http://www.publicdomainpictures.net/view-image.php?image=3673&picture=cornfield”>Cornfield</a> by Peter Griffin

All writers have a constant and un-ending supply of ideas at their fingertips, just waiting to burst forth onto the page, right? Wrong. Sometimes we come up with complete blanks (you’ve heard of writer’s block, right?) and then we have to push on through, or rely on a friend to bail us out. This week, I’m still recovering from Labor Day picnicking with my family. But I am lucky enough to have friends to bail me out.

Enter Pamela Foster. I’ve known Pam for about two years, and not only is she a great go-to resource for me in all things writing, she’s a talented author who happens to have a handle on platform-building as well. So without further ado, I give you Pamela Foster’s take on platforming.

I’m told all writers need platforms these days, a way to get noticed in a world-wide crowd of individuals selling, more or less, the same thing we’re hawking–entertainment and escape. My good friend, Linda Apple, uses the image of a field of sunflowers, one especially long-stemmed flower growing up into the blue sky, waving its sunny face above the other beautiful yellow blooms. A platform lifts us up so we are noticed. Now if our writing isn’t spectacular, folks are going to quickly look for another sunny face, but without the platform, no matter how good our writing, we’ll not be read, never get the chance to show how good we are.

The word platform conjures a different image in my redneck head. I see a couple guys in camouflage gear hunkered down on a rickety mess in a gnarled tree, sipping booze and staring at a saltlick.

Nonetheless, I understand the need to be noticed in the crowd.

The trick to building any solid base is to build it with similar planks. My first book, Redneck Goddess, is set in rural Georgia and my second, Bigfoot Blues, takes place in northern California. Redneck Goddess is about a southern gal who falls in love with a Latin aristocrat and brings him home to her little bitty town. The novel uses humor to poke and prod at the subject of racism and intolerance and don’t think all that intolerance came from her side of the family either. So, while the book takes a hard look at a serious matter, it does so with a lot of fun and acceptance and understanding of both cultures. Southern redneck and Latin aristocrat.

My second novel, Bigfoot Blues, is due out in October. There’s humor in the quirky world of Samantha Jean, the daughter of a Bigfoot hunter, but the book is more layered, more complex than Redneck Goddess. And it’s set in the Pacific Northwest, not the American south.

So, my dilemma is to find a way to build a platform with two such different novels. I need to identify the common denominator in Redneck Goddess and Bigfoot Blues. Wonderful prose and fine plotting are, evidently, NOT strong enough planks for the job. Picture a metaphorical tree-blind constructed of the mismatched elements of quirky humor, love of wilderness, and joy in life’s small moments. Imagine that platform nailed together with the binding love of a dysfunctional family. Can you see that cockeyed ledge in the trees? The wide gaps between the planks? The way a pencil rolls from one end to the other like a stray thought? Do you have this image in your mind?

Now, picture Bigfoot hunkered up there, a wide and benevolent smile on his shaggy face.

It’s no waving sunflower, but it’s the best I can do.

You can find Pam online at: http://pamelafosterspeakerwriter.wordpress.com

When I worked full time as a Marketing Communications Specialist for an engineering firm in Pennsylvania, my boss was one of the brightest minds in corporate communications. Under his tutelage, and combining my education and work history, I became a corporate identity master. I could brand anything with ease using any and every tool you could imagine, and probably a bunch you’d never think of.

So why is it that I, a master brander and professional writer, am completely bamboozled when it comes to branding myself using social media platforms? Is it one of those cases where the artist can paint everything but an accurate self-portrait because she can’t see the beauty in herself?

No.

I can see myself for what I am, including the plethora of flaws.

I’m like the millions of other authors out there who don’t get the whole platform thing. But maybe I should say didn’t get the whole platform thing. I’m learning.

Thank you Kristen Lamb for your tireless efforts. I’ve recently read both her books, and I have to say I’m motivated to get out there in the ether and build a successful platform. And I believe it will work because of the strategies suggested in her books. Check out Are You There Blog? It’s Me, Writer, and We Are Not Alone: The Writer’s Guide to Social Media. Worth their weights in platinum.

Originally posted March 12, 2012

I spent a little bit of today editing and sending a synopsis and three chapters off to an editor (and doing some laundry… boy was that overdue!), but then I spent the rest of the day building my platform. For those of you who don’t know what that means, it means creating a favorable Web presence so editors and agents believe that you can market your material once/if they publish your book.

Today’s efforts – creating a Website. I already had one for my professional writing. Now I have one for my creative writing. For a first draft, it isn’t too bad. I have to go back and do A LOT of polishing, but I’m happy with today’s work. Let me encourage all of you to find a Web hosting service that you are comfortable with, probably one that has templates already built in for you (I haven’t used HTML since 2000, I never did figure out Java Script,and I don’t even know what the latest trends are), and spend a day playing with your pages.

I don’t have anything to market – YET – but when I do, I’ll be ready. Can you say the same?